As the 2016 campaign for the White House ramps into high gear this summer, many fashion experts have taken a backstage to political campaign consultants in the cutthroat world of partisan politics. From the white dress Melania Trump wore during her recent speech to presidential contender Hillary Clinton’s widely publicized expensive new work clothes, Americans can expect to see some very high-powered ladies attire on display during the presidential race this year. How to remain chic while appealing to voters will likely tax some of Washington D.C.’s elites.
For instance, Melania Trump, the wife of candidate Donald Trump, addressed the Republican National Convention earlier this week wearing a white dress that showcased her fashion model proportions and narrow waistline. As reporters dissected her remarks afterwards and discovered her speech copied entire sections of one delivered by First Lady Michelle Obama a few ago, Glamour reported that the $2,190 high fashion outfit had sold out within the hour.
Secretary Clinton also turned heads with her tailored fashions recently. Her new daily wear includes some in-demand European haute couture items. She delivered a New York primary victory speech wearing a trendy $12,495 Giorgio Armani jacket. The irony of the candidate lamenting income inequality while dressed in pricey designer threads did not escape The New York Post.
Even ordinary citizens attending the RNC Convention garnered some savage media criticism for wearing “ill-fitting” bright red skirts to celebrate a patriotic red-white-and-blue theme. This year, it seems politics concentrates on the essentials, ladies!
A recent article on Racked discusses women’s fashion and the divide between sample sizing and plus sizing. The majority of American women actually wear sizes that are in between the two, making it hard to shop at many stores. Designers focus on dressing women in one of the two categories and rarely feature styles for the “normal” sized customer.
The “in between” sized woman is not only absent from representation in the fashion world, but in Hollywood as well. If female celebrities are larger than a size zero high fashion model, they are forced into the “plus size star” category, often without their consent. This was the case when Amy Schumer (a size 8) was named in Glamour‘s plus size issue and when model Robyn Lawley (size 12) was lauded for being the first plus size woman featured in Sports Illustrated‘s swimsuit issue. Women must either be model-thin or part of the “fat and sassy” club; designers and the world don’t like the women in between because, in the words of Mindy Kaling, they “lack the self-discipline to be an aesthetic, or the sassy confidence to be a total fatty hedonist.”
Most women I know fit into the “in between” category and it’s true, there is not much representation for average sizes, even for brands that stock them. It is hard to shop when the models do not share your size or body type.
Would you wear a sound wave? At the July 4 couture shows in Paris, that’s what models did as they presented Iris Van Herpen’s striking collection for fall 2016. In the Eglise Réformée de L’Oratoire du Louvre, the models, clad in Van Herpen’s couture, moved meditatively to the accompaniment of Zen bowl sounds by Japanese musician Kazuya Nagaya, creating an otherworldly fusion of visual art and music.
Designed as an homage to the field of cymatics, which is the visualization of sound waves as geometric patterns, Van Herpen’s high-fashion creations are delicate, strange, and beautiful in much the same way that patterns found throughout nature are. Though they don’t resemble traditional fashion items – indeed, it would be hard to pull off wearing Van Herpen’s sound-inspired garments anywhere outside a fashion show – the dresses are fascinating in their odd, intricate design as well as the technology used to painstakingly assemble them.
Van Herpen has a history of integrating cutting-edge technology into her fashion designs. To create her collection for fall 2016, Van Herpen used unusual materials such as thousands of tiny, hand-blown glass bubbles, translucent material made of Swarovski water drop crystals in silicone, and fragile Japanese organza woven from threads five times thinner than human hair. Arresting and memorable, Van Herpen’s fusion of geometry, sound, and ingenious craft will charm lovers of science and creative fashion alike.
Now that Men’s Fashion Week has officially come to a close, many reporters are posting their review lists all over the Internet. In this short article we will take a look at what most fashion commentators saw trending in London, Florence, Milan, Paris, and New York for men this fashion season.
One thing that stood out to all fashion reporters this year was the popularity of cobalt blue. Whether the models were in workout clothes or casual wear, the main color designers used in all the major cities was a vibrant cobalt blue.
Another popular trend for black male models was blond hair. This may be because of the media influence of American Olympian Miles Chamley-Watson. Also, while on the subject of hairstyles, dread locks were definitely in this season. Across all of the major shows, there were many models rocking the dreads.
The major accessory this year was hats. Although hat sales for men have slumped in recent years, this accessory looks to make a comeback. All kinds of hats were used throughout this fashion show, including turbans, broad brims, and porkpies.
Another major trend this year was wide-leg trousers. This style of pants in men’s clothing actually comes from Japanese fashion. Japanese fashion shows have been known to feature many male models in khakis with a fuller volume. It was only this year that American and European designers have added this feature prominently into their wardrobes.
After three months of anxious waiting, Kendall and Kylie Jenner’s line of handbags has finally been released. Currently the line is only available at Saks Fifth Avenue, but starting in August you can also buy the bags at Shopbop, Neiman Marcus, Revolve, Holt Renfrew, and Bloomingdale’s. If you want to get your hands on one, start saving up your money now: the line starts at $195 and goes as high as $450.
The handbag line consists of 18 bags including chic adult backpacks, huge totes, functional satchels, and glamorous cross-body bags. You can also buy leather key chain versions of Kylie’s dogs for a mere $95 a pop. The line is surprisingly colorful, with bags in black, white, grey, red, and shades of blue. When the line was announced back in April, Kylie described it as “super modern” and noted that it “pairs well with pieces from [the] Kendall + Kylie ready to wear and shoe collection for fall.”
While the handbags are decidedly unique, the two sisters clearly used other designers for inspiration. For instance, the furry dog key chains are clearly based on Fendi’s Karlito bag charms; the only difference is the price and that they are dogs, not weird furry men. This bag is also a pretty obvious knock off of a Celine bag that Kendall is often seen wearing.
Creating pieces that mimic nature is customary in the art world. Whether one is sketching a character design for a supernatural odyssey or creating an abstract sculpture out of a chain link fence, the influence of nature may come into play.
When an artist conceptualizes an idea, it’s likely she’ll reach for organic shapes and patterns of movement. Even architecture, while often thought of as an explicitly geometric construct of organized measurements, can benefit from more natural elements. Subtle curves and asymmetry can break up the rigid quality of man-made shapes, making a building feel more connected to earth and imagination.
The fashion industry is also enamored with nature, and some of the results that flit down runways create an aesthetic that is distinctly reminiscent of flora, fauna and other natural phenomena. It’s not uncommon to see models that resemble woodland nymphs and whimsical water spirits. A collection created by Iris Van Herpen was made to be a three dimensional manifestation of sound waves. Some of the pieces are sleek and architectural, echoing the hulls of insects or the sleek glide of scales. Others are more light and diaphanous like wings or porous like honeycomb.
While the avante garde nature of high fashion runways is often outside the sphere of practicality, it’s a shimmering example of how artists glean inspiration from Earth. If you’re a designer that’s in need of some rejuvenation, consider stepping outside and examining the life in your own neighborhood. You just may surprise yourself and find a muse scurrying on the ground or floating with the clouds.
The use of fur in the fashion industry has always perplexed me. Wearing fur is traditional in many cultures, particularly societies that reside in cold climates. Indigenous communities make use of fur, as well as every other part of an animal that is killed. In such a way, fur can be used in a manner that is quite ethical and parallel with a respect and reverence for nature and wildlife. The same cannot be said of fur in the fashion industry.
Animals harvested for designer brand fur may be housed in cramped cages before being brutally dispatched. Since fur is rarely a byproduct of the meat industry, their bodies are often thrown out and their fur becomes an exorbitant status symbol on the runway. Real fur may be beautiful, plush and warm, but when it’s harvested for purely cosmetic purposes, it quickly loses its luster. Once shimmering and pristinely coifed fluff garners a dim and ashen aura.
The Armani Group’s decision to bow out of the fur game is an important step in making the fashion industry more ethical and conscientious. Killing animals in the name of beauty is completely unnecessary and the use of fur as a luxury item for the rich feels steeped in darkness. Many people criticize the fashion industry, thinking of it as a playground for shallow ideals and egoism.
As more designers commit to avoiding fur in their collections, the fashion industry will surely gain more respect from admires and outsiders alike. It’s vital that beauty be manifested on not only a surface level, but from within.
Our Legacy has released their new spring summer collection, and it is another notch kn the belt for the minimalist menswear heavyweight. The collection can be seen here on Vogue. While their resort collection was heavy on the pastels, this collection sticks to a more subdued palette. However, nothing is held back with respect to fabrics, and there are several luxurious materials making an appearance. Our Legacy is known for their incredible knitwear, and there are some beautiful distressed pieces in this release.
For those favoring a more put together look, the label also has a wide range of tailored garments. It appears that the label is pushing wide leg trousers, including a pair in a jaw-dropping red velvet. The jackets and blazers show crisp clean lines and tasteful details. Our Legacy continues their obsession with denim in this release, and the material makes an appearance in many washes and cuts. A long sleeve denim shirt with a half zipper fastening stands out as a hint towards the vintage masculine look that some associate with the brand. Other hints towards this theme are evident in the structured cut of the suits and the appearance of pinstriped fabric used in shirts and outerwear. The label also loves to produce shirts out of unconventional materials, and the famous terry cloth shorts make an appearance. The silk shirts are top notch, and will likely sell out quickly.